音乐中24个调性有着独特的感情色彩，每个调性的音乐我们都可以以一种颜色来描绘它。作曲家柏辽兹在《乐器法》中这样说，要给节奏、旋律、和声配上颜色，使它们色彩化。而他的音乐作品在音色上确实是丰富多彩的。柏辽兹和德彪西、格瓦纳也被人们称为色彩感强的作曲家。
有人说莫扎特的音乐是蓝色的，肖邦的音乐是绿色的，古诺的音乐是紫色的，格瓦纳的音乐则是闪烁的色彩。原来色彩学早就不仅仅是属于视觉艺术的范畴了，音乐与色彩的结合可以反映不同的调性和音程变化，因为音色与颜色同样可以展示明朗的、温暖的、紧张的、压抑的、忧伤的情绪。这些复杂的情绪也赋予了音乐某种基本的感情色彩。所以说，音乐和颜色之间的联想足以让我们在音乐创作和欣赏中，得到更多的形象的艺术感染力！现在我们将24个调性排排坐，来找出音色与颜色之间或自然或神秘的奇妙关联吧~
C：纯白色的C大调，最纯洁、最初始；
Completely pure. Its character is: innocence, simplicity, naïvety, children's talk.
c：纯黑色的C小调，抗争、奋斗；
Declaration of love and at the same time the lament of unhappy love. All languishing, longing, sighing of the love-sick soul lies in this key.
A leering key, degenerating into grief and rapture. It cannot laugh, but it can smile; it cannot howl, but it can at least grimace its crying.--Consequently only unusual characters and feelings can be brought out in this key.
"Penitential lamentation, intimate conversation with God" (Schubart, 1784)
D：纯绿色的D大调，质朴、自然、天然；
The key of triumph, of Hallejuahs, of war-cries, of victory-rejoicing. Thus, the inviting symphonies, the marches, holiday songs and heaven-rejoicing choruses are set in this key.
Melancholy womanliness, the spleen and humours brood.
The key of love, of devotion, of intimate conversation with God.
Feelings of the anxiety of the soul's deepest distress, of brooding despair, of blackest depresssion, of the most gloomy condition of the soul. Every fear, every hesitation of the shuddering heart, breathes out of horrible D# minor. If ghosts could speak, their speech would approximate this key.
Noisy shouts of joy, laughing pleasure and not yet complete, full delight lies in E Major.
Grief, mournfulness, restlessness
Complaisance & calm.
Deep depression, funereal lament, groans of misery and longing for the grave.
Triumph over difficulty, free sigh of relief utered when hurdles are surmounted; echo of a soul which has fiercely struggled and finally conquered lies in all uses of this key.
A gloomy key: it tugs at passion as a dog biting a dress. Resentment and discontent are its language.
Everything rustic, idyllic and lyrical, every calm and satisfied passion, every tender gratitude for true friendship and faithful love,--in a word every gentle and peaceful emotion of the heart is correctly expressed by this key.
Discontent, uneasiness, worry about a failed scheme; bad-tempered gnashing of teeth; in a word: resentment and dislike.
Key of the grave. Death, grave, putrefaction, judgment, eternity lie in its radius.
Grumbler, heart squeezed until it suffocates; wailing lament, difficult struggle; in a word, the color of this key is everything struggling with difficulty.
This key includes declarations of innocent love, satisfaction with one's state of affairs; hope of seeing one's beloved again when parting; youthful cheerfulness and trust in God.
Pious womanliness and tenderness of character.
Cheerful love, clear conscience, hope aspiration for a better world.
A quaint creature, often dressed in the garment of night. It is somewhat surly and very seldom takes on a pleasant countenance. Mocking God and the world; discontented with itself and with everything; preparation for suicide sounds in this key.
Strongly coloured, announcing wild passions, composed from the most glaring coulors. Anger, rage, jealousy, fury, despair and every burden of the heart lies in its sphere.
This is as it were the key of patience, of calm awaiting ones's fate and of submission to divine dispensation.
关于调性的色彩，每个人都有不同的感受和见解，让我们来亲自找找，听听，自己来评价一下吧！
英文部分From Christian Schubart's Ideen zu einer Aesthetik der Tonkunst (1806) translated by Rita Steblin in A History of Key Characteristics in the 18th and Early 19th Centuries. UMI Research Press (1983).
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